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51472
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Benoit Delbecq – piano

Nelson Veras – guitare

Toma Gouband – drums

This music is based on Toma Gouband’s music material, compositions using forms of time, as a line, a circle, a spiral.
Sound has a power on minds, it can influence it by its own structure and organisation.
This music uses meeting of numbers, proportions between them, patternings and aims to create an endless time, transformation of a circle to a spirale, a spiral to a line, a line to a circle.

(…) une musique funambulesque, pleine de grâce et de uidité organique, développant dans le cadre de formes et de dispositifs précisément dé nis, un discours mouvant fait d’ellipses et de sous- entendus, tout en accentuations gestuelles, énergies contrôlées, polyvitesses enchâssées et contrepoints instantanés d’une grande sophistication. Entre les ux oniriques du piano préparé de Delbecq, les phrases subtilement discontinues et pleines de douceur de la guitare abstraite de veras et l’enchevêtrement polyrythmique des percussions délicieusement minimalistes de Gouband, c’est un monde enchanté qui peu à peu prend forme, tirant l’essentiel de sa poésie d’une “présence au monde” (…) Stephane Ollivier-Jazz magazine > ****

(…) a funambuleque music, full of grace and organic uidity, developing in the framework of precisely defined forms and devices, a moving discourse made of ellipses and undertones, all in gestural accentuations, controlled energies, polyvitesses Embedded and instantaneous counterpoints of great sophistication. Between the dreamlike pairs of Delbecq’s prepared piano, the subtlely discontinuous and gentle phrases of the abstract guitar of veras and the polyrhythmic tangle of Gouband’s deliciously minimalist percussions, it is an enchanted world that gradually takes shape, pulling The essence of his poetry of a “presence in the world” Stephane Ollivier Jazzmag ****